Showing posts with label Inglot. Show all posts
Showing posts with label Inglot. Show all posts

Friday, 26 August 2016

FOTD Graduation Makeup - For When I Wanted To Look My Absolute Best

Over a month ago, now, I graduated from University. The ceremony was wonderful, I got to celebrate the with all my favourite people and be incredible proud of my friends and myself. I never thought that the day would mean so much, but it did.

I knew that the photos from the day would be around for the rest of my life, so I figured it was probably a good idea to look the best I could. I had a gorgeous dress, picked out my favourite jewellery, carefully painted my nails and curled my hair into perfect old hollywood waves. All that was left was my makeup, and as a point of pride, it had to be on point.

I knew I wanted a pinup-esque look, with slightly-above-neutral eyes, winged liner, red lips and extravagant lashes. I was so anxious that the makeup would go wrong (we've all had many bad liner days), fortunately, everything went well and I felt somewhat blessed.


To begin with, I needed perfect skin, so I started with my usual primer, Benefit's Porefessional. I then used Mac's Mineralize Concealer in NC20 under my eyes, around my nose and everywhere where I had discolouration. I set this all with Studio Fix Powder Foundation in NW20 by Mac. I then contoured with Benefit's Hoola, used Nars' Super Orgasm for blush and highlighted with Becca's Shimmering Skin Perfector in Moonstone.


For my brows I used Mac's Cork on the inner section and Inglot's 329 for the rest of the brow. For the eyes I started by priming with Too Faced Shadow Insurance, I then used Mac's Cork in the crease, using Inglot's 329 to deepen the crease. I then used Nyx Jumbo Eye Pencil in Iced Mocha on the lid, setting it with Illamasqua's Pure Pigment in Ore.





I then used So Susan's Haute Light Highlighting Pencil on my waterline and in the inner corner. I set the inner corner with Inglot's Body Pigment Powder in 180. Next I lined the lower lash line with Inglot's eyeshadow in 329. I then used Bourjois' Pinceau Liquid Liner for my winged liner, finishing with Urban Decay's Perversion Mascara and applying Huda Beauty's lashes in Sasha.


For my lips I initially created an outline just slightly bigger than my lips with Mac's Boldly Bare Lip Pencil, then applying Sleek's Matte Me Liquid Lipstick in Rioja Red. I finished by using Make Up For Ever's Mist and Fix Setting Spray to keep everything in place, it being a big day and all (and it worked, my makeup didn't budge all day).


And here's me with some Prosecco in my gown and cap looking really proud of myself. My nail polish is Barry M's Coconut Infused Nail Paint in Flamingo.


To close, this is me and my friends after throwing our caps in the air and laughing because we were very bad at it.

Tuesday, 9 August 2016

Gilded Makeup - Because Black And Gold Is The Best Colour Combination

Today I'm showcasing a look I did a little while ago which I'm choosing to call 'Gilded Coal Makeup'. It was inspired by me buying Illamasqua's Liquid Metal Palette, which is gorgeous, if not a little impractical as cream shadows always crease for me. In the palette is a beautiful, bright, true gold - as in, not too yellow toned.

Black and gold is one of my favourite colour combinations, so I figured I'd pair the two in a look. This could be a kind of District 12, Katniss Everdeen Ceremony look, if the Hunger Games is still relevant. Otherwise, I thought it looked dope.


I started by priming my lids with Too Faced Shadow Insurance, of course, this kind of look needs a good primer. I then used Urban Decay's Perversion Eye Pencil all over my lids, blending out the edges with a slightly denser, fluffy brush - my favourite is Real Techniques Base Shadow Brush. Using the same brush I set this base with a black eyeshadow from Inglot, then blending the shadow out towards my temples, up to the start of my brows and to an extended point on my nose. I deepened the colour by keeping packing on the shadow as it takes a while to get black eyeshadow really dark on the skin.


Now comes the fun bit. I took the gold shade - Electrum - from the Liquid Metal Palette and applied it as winged eyeliner, both on the lid and under the lower lashes with a fine, angled brush. I connected the two in and extended inner corner and created a double wing at the outer corner. I then set this with Barry M's Dazzle Dust in 10 (a gold). I sharpened the lines using a black liquid liner. I then applied Electrum on the outer two thirds of my brows, brushing the hairs upwards. I again set this with the Gold Dazzle Dust, also brushing it on my brow bone.


Next, I curled my lashes very thoroughly as I was not going to be using proper mascara. I started by applying a white lash primer, I then topped this with Electrum, applying it with a spooley. I then set this all with the Gold Dazzle Dust. I made sure to do this to both sides of my lashes and had to do it a couple of times to get the full effect.

For my skin, I primed with Benefit's Porefessional, used Mac's Studio Fix Powder Foundation, Nars' blush in Outlaw, Benefit's Hoola to contour and Topshop's Glow and Sleek's Subsolar from the Solstice Palette to highlight.


For my lips I started by lining them with Perversion Eye Pencil, I then used MUA's Luxe Velvet Lip Lacquer in Potent all over the lips. Then I applied Electrum in the centre of the lips, setting it and blending it out with the Gold Dazzle Dust.


I then decided to spruce the look up a bit, because I was a little dissatisfied. I started by applying proper mascara on my lashes (after all that work), which immediately changed the look. I then used Inglot's Eyeshadow in 50 to soften all the edges of the black eyeshadow.


I finished by applying the red eyeshadow to my cheeks to tie the look all together.

I actually quite liked this look by the end of it. I have no idea if this could be themed for a costume, but hey, it was fun to do and looks pretty damn cool.

Thursday, 4 August 2016

FOTD - Gay Pride Makeup

As Gay Pride is happening in Brighton this weekend I thought I'd share the look I wore to London Pride. I worked the morning of and the day after Pride, but I desperately wanted to go, as it would be my first ever Pride.

I had a wonderfully time and it felt so good to be surrounded by people in my community. One of my friends also went in drag and had so many people coming up to him to appreciate it, it was great.


I wanted to have really done skin, so I started with Benefits Porefessional as my Primer. I then used Mac's Mineralize Concealer under my eyes and around my nose and mouth. I used Mac's Studio Fix Powder Plus Foundation over the top of this. I contoured with Benefits Hoola and highlighted the tops of my cheek bones, my cupid's bow, my nose, my chin and my forehead with Becca's Shimmering Skin Perfector in Moonstone - the more plastic looking the better. I then used Nars' Super Orgasm as my blush.


 I outlined my lips with Mac's Boldly Bare, slightly overdrawing them. I then used MUA's Luxe Velvet Lip Laquer in Serene as my lip colour. On my brows I used Mac's Cork on the inner section and Inglot's 329 for the rest of the brow, I then used No7's Lash and Brow Perfector to keep all the hair's in place.


For my eyes I started by priming my lids with Too Faced Shadow Insurance. I then used Cork in the crease, deepening it with Inglot's 329. I then drew a fine line under the lower lashed with 329. I then applied Lit's Glitter in Champagne Wishes on the lid, using Lit's Clearly Liquid Glitter Base. I then used So Susan's Haute Light Highlighting Pencil on my waterline and in the inner corner, setting this with Inglot's Body Pigment Powder in 180.


To finish, I drew a cat eye with Bourjois's Pinceau Liquid Liner, applied Urban Decay's Perversion Mascara and used both top and bottom false lashes, both from Eylure, setting everything with Make Up For Ever's Mist and Fix Spray.


To complete the look, wear excessive amounts of sparkly jewellery, completely curl your hair and wear a dusky pink, faux satin, slutty Prom dress. The handsome man with a purple glitter beard is optional, but recommended.

Happy Pride!

Friday, 8 January 2016

FOTD - Some Makeup Looks I Did Over The Christmas Period

This is just going to be a quick post, but I felt I should do something as it's been so long - Christmas being the time sucker that it is.

Christmas and New Years is THE time of the year for glitzy, extravagant makeup, and I love it. Armed with my new Vice 4 Palette and some pigments I indulged in, I created some pretty-ass looks.


My first look is a hardcore smoky eye with a nude lip. This is a great night time/clubbing look. On my lips I'm wearing Sleek's Matte Me in Birthday Suit.


On the lid I'm wearing Inglot's Eyeshadow Pigment in 49, using Urban Decay's 24/7 Glide On Pencil in Perversion as a base and on the waterline. I finished this look with some Eylure Lashes.


This next look was what I wore on Christmas Eve, which is not particularly festive, but I like it none the less. On my lips is my favourite combo, Bourjois's Liquid Lipstick in Don't Pink of it! and Mac's Lip Pencil in Boldly Bare.


In the crease I'm wearing Mac's Cork and Inglot's 320 eyeshadow. On the lid I used Inglot's 428 eyeshadow and in the inner corner I used Inglot's Body Pigment Powder 180. Finish with Bourjois's Pinceau Liquid Liner and some more Eylure Lashes.


I wore this look to a friend's Birthday celebration and I love it. On my lips I'm wearing the same combination I used in the look above (because it's my go to).


In the crease I used Bitter and Delete from Vice 4, which has a beautiful warmth. Using Nyx's Jumbo Eye Pencil in Milk as a base I used Illamasqua's Pigment in Ore and Inglot's Body Pigment Powder in 180 on the lid. Again, finishing with Pinceau Liner and Eylure Lashes.


This was my New Year's Eve Look, which was very classic. On my lips I'm wearing Sleek's Matte Me in Rioja Red, another of my favourite lip colours.


You can very much tell what my favourite products are from this post. In the crease I used Mac's Cork and Inglot's 320, with Inglot's Body Pigment Powder in 180 on the lid. Finishing with liquid liner and lashes.

Bring on 2016! May I find more than four eyeshadows to use!

Thursday, 16 July 2015

Violet Chachki Inspired Makeup - I'm Still Obsessed With Drag

So, I love a good gay club, and recently loads of Drag Queens from Rupaul's Drag Race have been appearing at my favourite one. A couple of weeks ago, the winner of Season 7, Miss Violet Chachki herself was there. I got to meet her and get a couple photos. It was brief and I was super drunk, but she said my makeup was cool, so it was pretty awesome.

The makeup look I did was inspired by a look she posted on her instagram. Very pin-up and cool as heck. (Also, the nose ring is fake, for the record).


Let's start with the skin. I primed with Benefit's Porefessional, which I still adore, and then I used Mac's Studio Fix Powder Foundation in NW20, which, again, I still adore. I then used Revlon's PhotoReady Cream Blush in Coral Reef on my cheeks and contoured and highlighted with Sleek's Contour Kit.


For my brows, I used Mac's Cork eyeshadow with a small, bristly angled brush for the inner part. I then used a dark brown from Inglot with a tiny, sharp angled brush, for the rest of the brow. Next, I used a cotton bud to crisp up the lines. I finished with No7's Lash and Brow Perfector, to set the brows, and tidied the hairs with a spoolie.


Now, the eyes. I primed using Two Faced Shadow Insurance. In the crease I used a red eyeshadow by Inglot in 382 and darkened it with a black eyeshadow, also by Inglot, in 391. I used the same black to draw a thin line under the lower lashes, winging out under the tear duct. On the lid I used a base of Nyx's Jumbo Eye Pencil in Milk - which I also used in the inner corner and on the waterline - and set it with a white eyeshadow, again, Inglot, in 373. I then did this giant ass wing, using Bourjois's Liner Pinceau  Liquid Eyeliner, á la Violet Chachki. I finished with L'oreal's Volume Million Lashes for my mascara and a pair of thick, flared out, Eylure lashes.



For lips I used Sleek's Matte Me Lip Cream in Rioja Red, cleaning the lines using No7's Lip Pencil in Fire, and then going back over it with the Lip Cream.


And there we go. I love this look, like a whole lot. And Violet was an absolute darling. For reference, the nose ring is from River Island.


Bonus picture with Violet and me.

Sunday, 24 May 2015

Cruella De Vil Makeup - Cos I Started Watching Once Upon A Time And It's Great

So, Once Upon a Time is an amazing show. I was finding season four a little so-so, up until they decided that the second half of the season was going to be about the sassiest bitches in fairytale land. Maleficent, Ursula and Cruella De Vil. Now, Cruella isn't an evil witch, she's just a bad person, period, and I sort of love that. Her style is also flawless, and considering I haven't driven a car since I passed my test two years, I imagine I would drive much like she does. She's a bit of an idol for me, and I love how the show portrayed her. Thus, this make up.

For this look I wanted to go somewhere between Once Upon a Time Cruella and the Disney version, with a touch of drag, cos that obsession has not gone away. You will need a glue stick.


To start with, those brows. First, brush the outer half of your brows upwards, making sure they are all in a uniform direction. Then, take a glue stick the dries clear and work it over that half the of the brow. Keep adding glue until the texture looks smooth, you can use water to smooth is a little (just dip your finger in the water and run it over the glue). Now set this with a loose, translucent powder. Next, cover this with foundation and leave to set.

For the colour, I started with a black eye shadow by Inglot and a fine, angled brush. I wanted the brows to be thick and angular, so I started by defining and exaggerated inner brow with the shadow, taking the line down the bridge of the nose a little ways. Then fill in the brows up until the arch, going beyond your natural arch and creating an exaggerated curve. Make sure the tail is nice and fine (I use an assortment of cotton buds and make up wipes to achieve this). With the shape established, I went over it with liquid liner for intensity and sharpness.


Now, skin. I started with Benefit's Porefessional to prime, I then applied Bourjois's 123 Perfect Foundation. I then used Sleek's Cream Blush in Newport Peach on the apples of my cheeks, as I wanted the cheeks to look quite rounded. Now, contouring is a big ol' deal with this look. Cruella's cheekbones are quite something, to say the least. For this, I took Sleek's contour kit and a medium sized, flat brush, which is smaller than my typical brush, because I want the contour to be a bit more intense. I contoured my cheeks, extending the line further than I typically would, and curving it under my cheek a little, making my cheeks look more rounded and defined. I blended this out using a larger, angled, fluffy brush, but went in again with the smaller brush to keep the definition. I also contoured my nose, under my jaw and my temples. I then highlighted my cheekbones, the tip and bridge of my nose, my chin and above the arches of my brows using the highlighter in Sleek's Contour Kit. I finished by setting everything with Mac's Prep and Prime Transparent Finishing Powder.

For lips I used Sleek's Matte Me liquid lipstick in Rioja Red.

Now, these intense ass eyes. I started by priming with Two Faced Shadow Insurance. I then took a stiff pencil brush and an Inglot black eye shadow to define the cut crease, making sure the outer edge has a sharp edge and that the inner corner blends into the brow. I blended it out with a fluffy brush the best I could, considering the glue stick. I then used Maybelline's Color Tattoo in Light in Purple over my lid as a base. Over that I used Collection's Glam Crystals Glitter Liner in Rock Chick as a base for Stargazer's Glitter Shaker in Onix, which I patted over the top. I then used Nyx's Jumbo Eye Pencil in Milk on the brow bone and the waterline, setting it with a white eye shadow from Inglot.


For under the eye, I took the angled brush with a black eye shadow, creating a sharp line under the lashes and then creating a sharp, exaggerated tear duct. I then applied spiky false lashes under the eye and super thick lashes on the upper lid.


And there we go. All done. I promised a mental look. Next time I'm thinking a haul post, cos this bitch wants to go shopping.

Sunday, 26 April 2015

Adore Delano Drag Makeup - The Newest Time Sink In My Life

So a dear friend of mine introduced me to a little show called Rupaul's Drag Race, and, well, now I'm sort of obsessed (I may be watching it whilst writing this). The show is camp, glitzy and right up my alley (cos makeup, fashion, puns and the camp, all the camp). I am simply in love.

One of my favourite Queens of all time is Adore Delano. She is so damn funny and her lips! I live for her lips. This here is my interpretation of her look. It's a fairly tame one, cos I'll be damned if I'm gonna really go for those brows, I am too lazy for that shit. Nonetheless, I had a lot of fun with this look.


Lets start with the skin. Drag Queens wear a whole lot of face products, mainly because they are men painting to look like women, but also a lot of them are performers, so they need makeup that stays through sweat and looks good under harsh lights. That means heavy and matte.

To start I applied a primer all over my face, as my pores are pretty awful and need covering - I used Pore-fessional from Benefit, which I got as a free sample from a magazine and actually need to buy a full thing of, as it's pretty great. Then I used my usual foundation, which is 123 Perfect by Bourjois. It's a matte foundation, as I have oily skin, it's also a long lasting one, so it fits the bill.



Next is the contouring, which is a big deal for drag. I used a Sleek contour palette and a large, angled, fluffy brush to apply colour in the hollows of my cheeks, under my jaw and at my temples. I then used a smaller fluffy brush to deepen the cheek and then to contour my nose. For the nose I blended a thin line down either side of the bridge, joining up the lines under the tip of my nose. You don't want to darken the sides of the nose too much, because it can actually make the nose appear wider.

Then there is baking. Baking (also known as cooking) is where a product is left to settle into the skin before being blended in. I used this technique to emphasize my cheek contour. I took a translucent powder - Mac's Prep and Prime Transparent Finishing Powder - and patted it underneath my contour using a makeup sponge, you want to create a really sharp line. Then you leave it for five minutes or so, I tend to leave it on whilst finishing off my eyes, or something like that. Then I just blend it away whilst finishing my skin with the same powder.

Now highlighting. So, you still want it to be matte, but also to be noticeably there. For this purpose I used a matte, white eye shadow from Inglot. I used a small fluffy brush to apply the colour to my cheekbones and under my eyes - Kim Kardashian style - then on the tip and bridge of my nose, on my cupid's bow, the top curve of my chin (to hide my butt chin) and above the arches of my brows, blending upwards. I then built a little more colour on my cheekbones, as I want them to be highlighted the most.


Now for the eyes. Start with a primer - I use Two Faced Shadow Insurance. Now, the liner is the main focus of this look, so the shadow is fairly minimal. I used an Inglot eye shadow that is three shades of a warm brown in one pan. I started with using the medium shade in the crease, blending it towards the nose. I then used the darkest shade to darken the crease. I then used the lightest shade on the lid. Next, I used Nyx Jumbo Eye Pencil in Milk on the waterline and in the inner corner, I used a white eye shadow by Inglot to set this.

For the brows I used a small angled brush and a black eye shadow. Adore's brows are amazing, so I couldn't fully replicate them. However, the gist is very dark, very angled and big on the front part. I used the shadow to create a boxy shape for the front part and a very fine tail.


Now the liner. I used Rimmel's Glam Eyes Liquid Liner, some people would use gel liner, not me, I hate that stuff. I've tried, I really have, but it does not work for me. If it works for you, use it, but I'm sticking with my liquid liner honey. Now, you want the liner to have a sharper angle at the outer edge than you would typically do, and go longer, and thicker. Start at the outer corner of the eye and draw a line towards the brow. Then draw a line on the lashes and then keep building that line until it basically fills the mobile lid. Join the line up with the outer line, creating a curve rather than a straight line.

For underneath the eye start with the exaggerated tear duct, making sure the point is very sharp. Then draw a line very closely underneath the lower lashes. Draw a line out from the outer corner, leaving a large V between the two lines, this basically going to be a horizontal line from the outer corner. Now thicken the line, taking the outer flick as a starting point. To finish the eyes, mascara and the biggest lashes you own.


Now those amazing, amazing lips. I wanted to go matte red, because a matte texture will help disguise my natural lip line. Now, I started with a No 7 Lip Pencil in Fire. I started by drawing a line just outside of my natural lips, I then built on this, not straying too far away from the actual shape of lips, whilst straying very far from my actual lip size. I then used the liner to fill in my lips. I then applied Sleek's Pout Paint in Pin Up over this, but I'd actually recommend using a lipstick. To finish, I patted a translucent powder over the top to mattify the lips, using a small flat brush, for precision.


 And there we are. A drag makeup look. I had to open the door to a pizza guy wearing this, he looked a little shocked, to say the least. Despite this, I sort of want to wear this out. Maybe I'll skip the lips.

Friday, 16 January 2015

Women Of Shakespeare: Desdemona - 'The Handkerchief!'

The next look in my utterly self indulgent series is for Desdemona, the unfortunate wife of Othello. Othello is sort of a quintessential tragic hero (although I know my lecturer would heartily disagree with that statement, he seems to hate the very concept of the tragic hero and his fatal flaw, and I get it, but this isn't an essay soooooo). Othello appears to be the only black man in Venice and is married to a very white woman (but still Italian, but would have been acted by a white man, so make of that what you will). Desdemona and Othello are happy and in love, but Othello is overcome with jealousy, relating to an incident with a handkerchief, and ends up suffocating Desdemona just before he finds out she's been completely faithful. Heart wrenching stuff.

My inspiration for this look came from the description of the handkerchief, which was said to be white with embroidered strawberries on it. Also I went pale skin, as Desdemona is supposed to be real white in comparison to her husband.

 For the skin I mixed Stargazers White Foundation with my typical foundation (currently Bourjois 123 Perfect in Vanilla). I skipped contouring as I wanted to look a little more youthful and innocent and went full on with the blush. I used Inglot eyeshadow in 382 with a big, fluffy brush and started with a light coat, drawing it up my cheek. I then used a smaller brush and applied a more concentrated colour on the apples of my cheeks. I wanted a fairly matte look, so I skipped out on the highlight.
For the eyes I started by Priming with Two Faced Shadow Insurance, I then used Inglot's 382 in the crease, extended to my temple and underneath the eye. I wanted it to be very soft and blended out. I then used the darkest shade in Inglot's 124 to darken the crease. Next, I smothered Nyx Jumbo Eye Pencil in Milk over my lid, in the inner corner and on my waterline, blending out with my finger where appropriate. On the lid I applied X-Rated from Urban Decay's Vice 2 Palette and in the inner corner I set Milk with Inglot's 373. I then applied a very thin line of liquid liner on the upper and lower lid. Add a touch of mascara and small sections of false lashes on the upper and lower lash lines.
 For the brows I just brushed on concealer with a spooley, as I wanted this look to be quite theatrical (also to rev up the paleness).
I thought an ombre lip would fit the look quite happily, so that's what I did. I started by blending the foundation mix on my lips, I then used No 7 Lip Pencil in Blush to fill in my upper lip and the inner part of my lower lip, blending it out with my finger. I then used No 7 Lip Pencil in Plum to darken the inner parts of my lips. Next I applied Barry M Lipstick in 153 on my top lip and rolled my lips together to blend the colour on to my lower lip. To finish I applied a thin layer of clear lip gloss.
Et Voila. Here's me with a dress up apron from a Magenta costume (from Rocky Horror) which I'm pretending is a handkerchief. So, yeah.

Friday, 9 January 2015

Women From Shakespeare - A Series Of Make Up Looks Stemming From Procrastination

So, I decided to do a series of make up looks inspired by the women in Shakespeare's plays (and possibly poetry depending on what I feel like - dark lady make up, anyone?). This originated from me trying to plan a Shakespeare essay whilst having a shower, ending up in me thinking that wouldn't it be a great idea if I did Shakespeare themed make up. That essay did get written (never mind that it was finished at 7 in the morning), and some make up looks were done.

The obvious start for me was Ophelia. Hamlet is the Shakespeare play, others may be incredibly famous, but Hamlet is the big one. Also Millais painted her that one time (I'm partial to Pre-Raphaelite art). So, Ophelia's a bit of a big deal. The painting is of her death, drowned in a river, surrounded by flowers. I decided that this was what I wanted to portray, because you can't do Shakespeare without being a little morbid (Titus Andronicus, anyone?).

Starting with the skin, you want to make it pale and corpse-like, being that we are doing the make up of a dead character. I started with Stargazer's White Foundation, mixing it with a little of my normal foundation. The consistency of this foundation isn't the best, so use something like a stippling brush to apply it (or other things good at blending, such as a sponge). Then use a medium brown eye shadow (or a contour powder) to further deepen the depths of your faces - below the cheekbones, under the chin, under the lower lip, the sides of the nose, the temples, under the eyes and the corners of your mouth. No blush is needed, for obvious reasons. I did my brows quite full, for a youthful effect.
For the eyes I wanted to emphasize the size and shape, much like the eyes painted by Millais. I started by priming my eyes with Two Faced Shadow Insurance. I then took a small angled brush and a medium brown eyeshadow - Cork by Mac - drawing a line just above my crease, following the line into the nose to make the eyes appear a little larger and flicking out at the other end. I darkened this line with a darker brown - 329 by Inglot - and then blended the line a little with a clean blending brush. I used this same shadow under the eye, winging the line out under the tear duct, again making the eye appear larger. I then used Nyx Jumbo Eye Pencil in Milk all over the lid, the inner corner and the waterline, blending out with my finger. On the lid I used Honeycomb from Sleek's Au Naturel palette and I used Nougat from the same palette in the inner corner. I then used a Bourjois liquid liner to do a fine line on the upper lid with a small flick. Next, apply mascara, making sure it is quite defined and doll like for the lower lashes. I then applied eylure lashes - I can't remember which, but something with volume that gets longer in the outer corners.
 To finish, apply a clear gloss all over the lid to give that just drowned feel. I used a bourjois gloss. I would heap quite a lot of product on the back of my hand and apply it with my finger. Make sure you do this last, because you will not be able to change anything after you've done this. It also feels gross and creases like a bitch, so skip this step if you don't want to deal with that. I then loaded some mascara on my lower lid, dipped a cotton bud in water, and pressed the wet cotton bud onto the globbed mascara to simulate tears. Gently pat away the water droplet as it hits the bottom of your cheek, so the tear looks a little nicer.
For the lips, purse them, so no product will reach the creases, and pat the white foundation over them, so they look all cracked and unpleasant. Then take a pale blue eye shadow, purse your lips again, and pat the colour in the centre of the lips, so you look like you've suffocated to death. I then got more lip gloss and used a small brush to simulate water flowing out of a mouth.

And the make up is done. To complete, wet your hair and carry around a selection of flowers. This could be a great Halloween costume for you, if, like me, all your friends are literature nerds.
Finis.